Alma Tadema's Oil Paintings
	Alma Tadema Museum 8 January 1836 – 25 June 1912. Most renowned painters.
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Here are all the paintings of Hans Baldung Grien 01

ID	Painting	Oil Pantings, Sorted from A to Z	Painting Description
1872		Portrait of a Man 6	National Gallery, London
92384		Adam und Eva	Date c. 1525(1525) Medium oil on panel Dimensions Deutsch: je 208 X 83,5 cm TTD
56698		allegories of music and prudence	mk247 1529,paint on pine panels,32x14 in,83x36 cm,alte pinakothek,munich,germany
58223		Beheading of St Dorothea by Baldung	Beheading of St Dorothea by Baldung, 1516
30227		Details of The Three Stages of Life,with Death	nn05 first steps
30228		Details of The Three Stages of Life,with Death	nn05 Beauty keeps her secret
30229		Details of The Three Stages of Life,with Death	nn05 The Body becomes a burden
30231		Details of The Three Stages of Life,with Death	nn05 Dancing to Death
92456		Die Lebensalter und der Tod	Medium oil on panel Dimensions 150.9 X 50.8 cm (59.4 X 20 in) TTD
67817		Die sieben Lebensalter des Weibes	Year 1544(1544) Technique Oil on panel Dimensions 97 x 74 cm (38.19 x 29.13 in)
75775		Eve, Serpent and Death	1512 Oil on panel cjr
88510		Knight, Death and girl	1. Viertel 16. Jahrhundert Oil on wood Dimensions 35,5 x 29,6 cm cjr
96153		Madonna mit den Papageien	1527-1528 Medium oil on panel cyf
92124		Markgraf Christoph I	1509/10 Medium oil on canvas cyf
69165		merkurius	1530 olja på trä 194x64 se
52008		Mucius Scaevola	153 Lime wood, 98 x 68 cm
87708		Music	1529(1529) Medium Oil on pine panel cyf
42955		Mystic Pieta	mk170 1512 Oil on oak 112.9x88.9cm
1875		Nativity	1520 Pinakothek, Munich
40323		Nativity	mk156 1520 Oil on panel 105.5x70.4cm
83582		Nativity	Date 1520(1520) Medium Oil on wood Dimensions Height: 105.5 cm (41.5 in). Width: 70.4 cm (27.7 in). cjr
87415		Nativity	1520(1520) Medium Oil on wood cyf
97255		Nativity	1520(1520) Medium oil on panel cyf
78818		Portrait of a Lady	1530 Oil on panel Width: 52.5 cm (20.7 in). Height: 69.2 cm (27.2 in). cjr
82734		Portrait of a Man	1514(1514) Medium Oil on linden Dimensions 59.3 x 48.9 cm (23.3 x 19.3 in) cyf
96946		Portrait of a Man	1514(1514) Medium oil on linden wood cyf
87789		Portrait of Ambroise ( or Ambrosius ) Volmar Keller	Date 1538(1538) Medium Oil on linden cjr
52009		Portrait of Ambroise Volmar Keller	1538 Oil on lime panel
1873		Prudence	1529 Pinakothek, Munich
87707		Prudence	1529(1529) Medium Oil on pine panel Dimensions Height: 83 cm (32.7 in). Width: 36 cm (14.2 in). cyf
1871		Pyramus and Thisbe	1530 Gemaldegalerie, Berlin
75136		Pyramus und Thisbe	c. 1530-1531 92,6 X 66,7 cm cjr
32595		Recreation by our Gallery	mk79 About 1527
83593		Rest on the Flight to Egypt	Date ca. 1514(1514) Medium Oil on wood Dimensions Height: 48.5 cm (19.1 in). Width: 38.6 cm (15.2 in). cjr
87421		Rest on the Flight to Egypt	1514(1514) Medium Oil on wood cyf
1876		Sacred and Profane Love	Stadel Institut, Frankfurt
1874		Saint John on Patmos	1511 Metropolitan Museum of Art, New York
52003		St Sebastian Altarpiece	1507 Oil on wood, 121,2 x 78,6 cm
89175		The Crucifixion of Christ	1512(1512) Medium oil on basswood Dimensions Height: 151 cm (59.4 in). Width: 104 cm (40.9 in). cjr
86518		The Knight	. 1505(1505) Medium Oil on wood cyf
40284		The Knight the Young Girl and Death	mk156 c.1505 Oil on panel 355x296cm
20234		The Knight the Young Girl and Death (mk05)	Wood,14 1/4 x 12''(36 x 30 cm).Acquired in 1924
21364		The Nativity (mk08)	1520 Oil on wood, 105.5x70.4cm Munich,Bayerische Staatsgemalde-sammlungen,Alte Pinakothek
28730		The Three Ages and Death	mk61 Oil on panel 151x61cm
98263		The Three Graces	1541-1544 Medium oil on board Dimensions 151 x 61 cm cyf
30225		The Three Stages of Life,with Death	nn05 c.1510 Strange quartet
86997		The Trinity and Mystic Pieta	Medium Oil on oak Dimensions Height: 112.3 cm (44.2 in). Width: 89.1 cm (35.1 in). cjr
91721		The Trinity and Mystic Pieta	oil on oak Dimensions Height: 112.3 cm (44.2 in). Width: 89.1 cm (35.1 in). cyf
94711		Three Ages of Man and Death	Circa 1510 Type Oil on canvas Dimensions 151 cm x 61 cm (59 in x 24 in) cyf
84862		Three Ages of the Woman and the Death	Date 1510(1510) Medium Oil on linden Dimensions Height: 48 cm (18.9 in). Width: 32.5 cm (12.8 in). cjr
88724		Three Ages of the Woman and the Death	1510(1510) Medium Oil on linden cyf
58224		Three Ages of Woman and Death 1510	Three Ages of Woman and Death 1510 Oil on limewood,48 x 32,5 cm Kunsthistorisches Museum, Vienna
86519		Virgin and Child in a Room	1516(1516) Medium Oil on wood Dimensions Height: 47.9 cm (18.9 in). Width: 36.6 cm (14.4 in). cyf
40342		Virgin and Child with Parrots	mk156 c.1527 Oil on panel 91x63.2cm
52007		Virgin of the Vine Trellis
58225		Witch and Dragon	Witch and Dragon. Drawing with bodycolour (b/w repro)

Hans Baldung Grien

German 1485-1545 Hans Baldung Grien Galleries The earliest pictures assigned to him by some are altar-pieces with the monogram H. B. interlaced, and the date of 1496, in the monastery chapel of Lichtenthal near Baden-Baden. Another early work is a portrait of the emperor Maximilian, drawn in 1501 on a leaf of a sketch-book now in the print-room at Karlsruhe. "The Martyrdom of St Sebastian and the Epiphany" (Berlin Museum), fruits of his labour in 1507, were painted for the market-church of Halle in Saxony. Baldung's prints, though D??reresque, are very individual in style, and often in subject. They show little direct Italian influence. His paintings are less important than his prints. He worked mainly in woodcut, although he made six engravings, one very fine. He joined in the fashion for chiaroscuro woodcuts, adding a tone block to a woodcut of 1510.[1] Most of his hundreds of woodcuts were commissioned for books, as was usual at the time; his "single-leaf" woodcuts (ie prints not for book illustration) are fewer than 100, though no two catalogues agree as to the exact number. He was extremely interested in witches and made many images of them in different media, including several very beautiful drawings finished with bodycolour, which are more erotic than his treatments in other techniques. Witch and Dragon. Drawing with bodycolour (b/w repro)Without absolute correctness as a draughtsman, his conception of human form is often very unpleasant, whilst a questionable taste is shown in ornament equally profuse and baroque. Nothing is more remarkable in his pictures than the pug-like shape of the faces, unless we except the coarseness of the extremities. No trace is apparent of any feeling for atmosphere or light and shade. Though Gr??n has been commonly called the Correggio of the north, his compositions are a curious medley of glaring and heterogeneous colours, in which pure black is contrasted with pale yellow, dirty grey, impure red and glowing green. Flesh is a mere glaze under which the features are indicated by lines. (1911) His works are mainly interesting because of the wild and fantastic strength which some of them display. His Eve, the Serpent and Death (National Museum of Canada) shows his strengths well. We may pass lightly over the "Epiphany" of 1507, the "Crucifixion" of 1512, or the "Stoning of Stephen" of 1522, in the Berlin Museum. There is some force in the "Dance of Death" of 1517, in the museum of Basel, or the Madonna of 1530, in the Liechtenstein Gallery at Vienna. Gr??n's best effort is the altarpiece of Freiburg, where the Coronation of the Virgin, and the Twelve Apostles, the Annunciation, Visitation, Nativity and Flight into Egypt, and the Crucifixion, with portraits of donors, are executed with some of that fanciful power which Martin Schongauer bequeathed to the Swabian school. As a portrait painter he is well known. He drew the likeness of Charles V, as well as that of Maximilian; and his bust of Margrave Philip in the Munich Gallery tells us that he was connected with the reigning family of Baden, as early as 1514. At a later period he had sittings from Margrave Christopher of Baden, Ottilia his wife, and all their children, and the picture containing these portraits is still in the grand-ducal gallery at Karlsruhe. Like D??rer and Cranach, Gr??n became a hearty supporter of the Reformation. He was present at the diet of Augsburg in 1518, and one of his woodcuts represents Luther under the protection of the Holy Ghost, which hovers over him in the shape of a dove.

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